Michael Hobbes on how millennials—those born between 1982 and 2004—have become the canary in the coal mine for the languishing economy in the United States.
A few statistics:
- We've taken on at least 300% more student debt than our parents
- We are about half as likely to own a home as young adults were in 1975
- 1 in five of us is living in poverty
- Based on current trends, many of us won't be able to retire until we're 75
- "My father’s first house cost him 20 months of his salary. My first house will cost more than 10 years of mine."
Lot's to chew on here. Not be be an old here, but it's best to read this on a larger screen.
I’ve always enjoyed former lawyer and current baseball analyst Craig Calcaterra’s Twitter-length take on how tribalism is responsible for most of our opinions:
Recently, David Brooks had his own Op-Ed-length take on tribalism and political beliefs through the lens of the gun debate in the US:
Looking back to the darkest days of the 20th century, you'll see we can't just turn tribalism off. George Orwell called it by a different name — Nationalism — but in the hyper-tribal World War II era, it looked largely like it does today (although with very different consequences).
Perhaps we may not be able to completely move away from tribalism — Orwell's nationalism — is because it's coded in our DNA. If you want to place blame for tribal identity, look to evolution, argues Jonathan Haidt of the Righteous Mind: Why Good People Are Divided By Politics and Religion:
In Mousse Magazine, the artists Julia Phillips and Aaron Gilbert converse about each others' art, some of their inspiration...and this section on evil and love. As with many conversations captured for print, the questions are as interesting as the answers.
Aaron Gilbert…These pieces could be described as artifacts that have a sole purpose of committing evil acts. Do you believe in evil? Which is a certain inverse of saying: Do you believe in the sacred?
Julia Phillips: Are you consciously depicting alternative, counter images for pop-cultural depictions of love? Our youth culture obsession conversation comes to mind. And the question of the need for love, and the kind of love as something that matures with us as we go through different ages in our lives. The images easily accessible and brought to us through media in an overflow are the ones of youth culture. Is your work a reaction to a drought?